reg
Dimijian (Figure 1) is a fascinating man. He was
born on February 5, 1935, in Birmingham, Alabama, and
that is where he grew up. As a youngster he almost became
a concert pianist. By age 8 he had a camera, and since
then he has taken >100,000 photographs. He has
developed most of the black and white and color prints
himself. Greg graduated from Davidson College in 1956
with a bachelor of science degree in biology and
chemistry and from Cornell University Medical College in
1961. He did a rotating internship at the Virginia Mason
Medical Center in Seattle, Washington, and then spent 2
years in the Epidemic Intelligence Service of the Centers
for Disease Control and Prevention (CDC), being stationed
in Maryland. He then did a residency in psychiatry,
spending 2 years at the University of Washington in
Seattle and 1 year at the University of Texas
Southwestern Medical School at Dallas. He went into the
private practice of psychiatry in Dallas, Texas, retiring
from that practice in 1993. During the summer
after his first year in medical school, Greg Dimijian
became a national park ranger at the Glacier National
Park, and that experience stimulated his interest in
animal behavior, which has been a passion of his ever
since. In 1996, he and his wife, Mary Beth, published AnimalWatch:
Behavior, Biology, and Beauty (Figure 2),
which is a collection of some of his best photographs
taken on 60 or so jaunts with his wife to photograph
wildlife. Their good friend, Dr. Jane Goodall (Figure 3),
describes the couple's work in the book's foreword:
The photographs capture the very essence of each of
the subjects portrayed--the wonderful, loving, joyous
delight of an elephant meeting a good friend; the small,
staunch, rugged spirit of a penguin, alone in the great
expanse of an Antarctic ice field; the extraordinary
dexterity and industry of the leafcutter ant. The
pictures, paired with essays, remind us that animals,
too, have a sense of purpose. As Jean Nash Johnson wrote
in The Dallas Morning News (January 22, 1997),
They are social, they court, they have
relationships, they marry, are diverse, hold family
reunions, and provide for and protect their
children. Some of Greg's photographs also have
appeared in The New York Times, Time, Natural History,
and Nature as well as in other books and the
Internet. The Dimijians are popular speakers in the
Dallas area and elsewhere. Mary Beth taught elementary
school in Richardson for >30 years.
Greg Dimijian has published 4 splendid articles in BUMC
Proceedings, and this issue has his latest,
Evolving together: the biology of symbiosis, part
2. Some of the publications at the end of this
interview show the diversity of this splendid man.
William Clifford Roberts, MD (hereafter, WCR):
Today is July 6, 2000, and I am speaking with Gregory
Gordon Dimijian in my home. Greg, I sincerely appreciate
your willingness to talk with me and therefore to the
readers of BUMC Proceedings. Could
we start by talking about your family and life growing up
in Birmingham, Alabama?
Gregory Gordon Dimijian, MD (hereafter, GGD): I
was an only child in a very close family. My father was
born in an Armenian colony in Istanbul, or
Constantinople, Turkey. He came to this country in 1913,
leaving his family behind, to study engineering at
Cornell, in Ithaca, New York. After a couple of years in
the USA, he learned that his family was no longer alive
and that his sister had been deported to Damascus and
probably killed. Because his father was a priest in the
Armenian Church he suspected that his father had met an
untimely end at the hands of the Turks who were
persecuting Armenians at the time. He resolved to stay in
this country, to never go back to his homeland, and to
put it in the back of his mind. He succeeded in that task
for the 86 years of his life. In the meantime, he moved
to Georgia and then to Alabama, met an Alabama girl whose
family was named Robinson, having come originally from
England. He married her and continued a business of
general and utilities construction in Birmingham.
I was born in 1935 and was their only child. My mother
died when I was 13 and my father never remarried. He
remained in Alabama; I moved around for my studies,
starting at Davidson College, then Cornell University
Medical School (now called the Weill College of Cornell),
and then Seattle, Washington, for my internship and part
of my residency training in psychiatry. I was with the
CDC as an epidemic service officer and was stationed for
2 years in the Maryland State Health Department. Before
finishing my residency, I was deputy chief of the
addiction service at the Fort Worth Clinical Research
Center in Fort Worth. I then completed my psychiatry
residency at The University of Texas Southwestern Medical
Center and started my practice that same year in Dallas.
That was also the year I met Mary Beth, whom I married 5
years later in 1972, and we've been happily married ever
since.
WCR: Let me go back to your early childhood. What
was it like growing up in Birmingham, Alabama? I gather
that you spent your first 17 years in Birmingham?
GGD: I was encouraged to become a concert
pianist. My first cousin, who is still alive, is Hugh
Martin, well known for the wonderful songs he wrote in
the 1940s for Broadway plays. He wrote the music for Meet
Me in St. Louis, which includes The Trolley
Song and Have Yourself a Merry Little
Christmas. He was very successful on Broadway in
the 1940s and 1950s. My family decided that I might have
musical talent and discovered that I did when they bought
me a piano at age 7 and I played it by ear almost from
scratch. They then got me a Steinway Grand, and I began
taking piano lessons seriously and giving recitals. But I
never liked practicing 5 hours a day, which one has to do
to succeed in concert piano. I also played by ear so
easily that I never learned to read music very well. When
I went to college I more or less abandoned classical
piano and continued to play by ear, which I have done
ever since.
When I was about 15, my father took me to Paris,
France, for 3 months and set me up with a well-known
French piano teacher, who taught me a whole new technique
of mastering the keyboard (Figure 4).
I rode my bicycle across Paris to take the lessons. In
those days you could ride your bike from one end of Paris
to the other and not get run over. I went back home and
finished college as a biology/chemistry major and decided
to go to medical school. In one sense I've neglected my
greatest talent by not going into concert piano.
WCR: Hugh Martin was your first cousin. Did you
know him very well?
GGD: Not very well because he was usually in
New York. But I would see him when he came through
Birmingham and he would tell me how musical he thought I
was. He was amazed; he would play his chords and
harmonies on the piano and tell me to turn my back and
tell him what keys he was playing. I always got every key
right. He would say, Good grief, I've never seen
anything like this. I never saw him enough to get
to know him well. We communicate today once or twice a
year. He's in California and he's probably in his early
80s now.
WCR: Was your mother or father musically inclined
also?
GGD: No, there was no musical skill in anybody
else in the family except Hugh's sister, who was a
dancer.
WCR: Did your mother and father go to college?
GGD: Only my father. As a child in Turkey he
had an interesting academic life, learning 7 languages,
including modern Armenian, old Armenian, and Turkish. He
would translate literary works. He had to learn English
when he came to the USA. He hardly knew any English at
age 17 when he arrived. He worked his way through 4 years
at Cornell by shoveling coal in furnaces. He had only a
dollar or two in his pocket when he arrived on the ship.
His father had given him most of his savings to pay for
the trip. When he arrived at the port in New York, he was
supposed to go to the University of Wisconsin, but he
didn't have enough money to get there. He asked a friend
the cost of going to Ithaca and if they might consider
him for admission. His friend said, I'll vouch for
you. He was admitted with no money at all.
WCR: What year was your father born?
GGD: 1895 or 1896.
WCR: And he died in what year?
GGD: 1981.
WCR: It sounds like he was quite successful in
business.
GGD: He was moderately successful. He never
became wealthy like so many of his friends in Birmingham,
but he was able to make a good enough living, put me
through medical school, save some money, and live a
fairly good life. He'd go to Europe once a year, by
himself, even into his 80s. He traveled by boat if he
could. He was an expert chess player, and he would play
the best people on the boat and usually beat them. I
tried to learn chess from him, but he was always so good.
After we turned the board around 3 or 4 times, I usually
gave up.
WCR: What was home like? Were there a lot of books
around the house? Was scholarship stressed to you?
GGD: Good literature was stressed, but
scientific literature was not. When I became interested
in natural history, biology, and physics in high school
and became fascinated with electrical circuits (putting
together electronic instruments), my father would say,
You're spreading yourself too thin. You'll never
amount to anything. I got interested in different
fields and topics in addition to music. I combined my
love of electronics with building high-fidelity units,
which were popular in the 1960s. I built Heathkits and
Dyna kits. He thought that I was wasting my time.
You should concentrate on your studies. He
had tunnel vision about what I should do. But I rebelled
against his view.
WCR: What did he want you to do?
GGD: At first he wanted me to go into music and
to go to the Julliard School of Music. When I became more
interested in medicine he didn't object to that, but when
I went to medical school and thought I might be
interested in psychiatry, he was doubtful of that
specialty. He thought psychiatry was not mainstream
medicine. But he did not discourage me. Even in medical
school, I still studied other things. I spent a lot of
time in the American Museum of Natural History in New
York City (Cornell Medical School was in the middle of
the city). Again he would say, You are spreading
yourself too thin. You are not concentrating on your
studies. He was an Old World staunch adherent to
following a single line of work. He said, You'll
have time for all that stuff later. I didn't agree
with that because if you let something go for 10 years,
you lose the momentum of your love for it. I didn't want
to lose my love of nonmedical subjects.
After my first year at Cornell, I spent the summer as
a ranger-naturalist at Glacier National Park (Figure 5).
It was my very first exposure to true wilderness and
wildlife, and I fell head over heels in love with it. I
taught the people going with me on trails. I was
stationed at Many Glacier in the hub of Glacier National
Park and the most beautiful mountain wilderness
imaginable. I was trained for the first 2 weeks I was
there, along with other new naturalists, by biologists
from neighboring universities. We learned about all the
plants and animals. It was an absolute treat. Then, with
the uniform and the hat of the National Park Service, I
would take tourists on the trails to the glaciers 5 days
a week and hike on the other 2 on my own, taking pictures
with a little camera with a low-power telephoto lens. I
took good pictures, and I started using them in the
lectures I gave that very summer in Glacier. They
assigned me the geology lecture on Wednesday nights for
the entire tourist population of that part of the park.
The talks went off well because I put a lot into them. I
discovered that I loved to teach and that I did a good
job of it. I started taking pictures of everything. By
the end of those 3 months, I was teaching people about
nature, natural history, and geology and showing them
slides. I learned it quickly.
When I went back to Cornell for the second year, I
realized I had a love that I'd never known I had before.
It was easy to marry it with my photography, which I had
loved since age 8. I had started at age 8 to take some
pictures and set up my own darkroom at home in a tiny
closet. I had taken my father's folding camera and turned
it upside down and made an enlarger with a light bulb and
printed black and white pictures in my closet,
unbeknownst to him until he saw the pictures. He was
impressed and asked, How did you do that?
When I explained that I had taken his camera, he was very
upset. I didn't hurt it; I just took the back off and put
a light bulb up there with some aluminum foil.
From the beginning I wanted my photographs to be
artful, at least to have composition, to be pleasing, to
be different, not to be static, to be interesting in the
same way it would be interesting if you were going to
paint the scene. At the same time, if it was a natural
history object, I wanted the picture to be a good
documentary of that object in its natural setting. That
has been a combined goal ever since--to work with a
camera and try to create an artistic impression of
something that also tells a story and has some honesty to
it. If I see a wonderfully camouflaged, cryptic little
bug, I want to show it in its natural setting, like a
katydid in the Peruvian Amazon with mottled wings that
grow that way by genes that code for them. That animal
has evolved in a setting of leaves that look exactly like
its wings, with mottled, hardly discernible edges. I want
the photograph to show that. I want to use as much
available light as possible without artificial shadows or
reflections. The documentation and the artistry are the 2
big things I want when I'm working on a photograph.
WCR: Greg, how did you get that job as a naturalist
after your first year of medical school?
GGD: By the skin of my teeth. I had heard of a
friend who drove a tourist bus in Glacier National Park.
I wrote to the National Park Service, I understand
you have a job where you can drive a tourist bus. May I
apply for that job? I got an answer, We are
the National Park Service. The hotels hire bus drivers.
Our categories are fire guard, ranger, and
ranger-naturalist, and they described those
categories. The ranger-naturalist was an interpreter. I
thought, Wow! That's exactly what I want to
do. I wrote right back and said that this would be
perfect for me because I was a biology major in college
and I understood biology and loved natural history.
Within 2 or 3 weeks of the end of the medical school
year, I got a telegram saying that I was accepted. (Back
in 1957, telegrams were how one heard from people.) It
said I should buy my uniform in the meantime. I was
ecstatic over the acceptance. I took the train all the
way out to Montana.
WCR: Did either your mother or your father have an
impact in getting you interested in nature, natural
history, and animals?
GGD: No. Neither one of them was interested in
nature.
WCR: What was your father interested in? It sounds
to me like your father had a major impact on your
development, that he was a very strong individual, and
that he had opinions about most things. Is that right?
GGD: Very much so. He believed in education, in
reading good literature, and in seeking friendships among
successful people (who were well known but not
necessarily wealthy) (Figure 6).
He hoped I would marry into Birmingham society with
people he knew who were successful and had a lot of
respect in the community. Those people were not alien to
my goals, but as a teenager I looked for girls who
attracted me, no matter what their background. He would
regularly be hurt by the fact that the girls I was
attracted to did not necessarily have a
proper social background, one that he would
like for me. That came true with both of my marriages.
Neither family was in the high social strata that he
would have liked. That disappointed him a great deal;
plus, neither was from Birmingham. That didn't bother me
because those were not my goals anyway. I was happy with
the people I chose, and their families were fine
families. I am very close to Mary Beth's sisters. Cecilia
Riley is an ornithologist and director of the Gulf Coast
Bird Observatory near Houston. Another sister, Joan Holt,
and her husband Scott are marine biologists at the
University of Texas Marine Science Institute in Port
Aransas, Texas. By a wonderful coincidence we all share a
love of biology, natural history, and teaching.
WCR: What did your father do when he came home from
work each day?
GGD: It's hard for me to remember. He
occasionally read, wrote, kept his books, or studied his
stocks. He never pursued anything avidly at home--like an
avid hobby or an avid interest. He was not a role model
for me in that sense. He would socialize, call friends.
He frequently thought about me, and generally he was
critical of me. What was I doing or what should I be
doing? Have I reached out to these people? Have I
answered this letter? He was always looking after me like
a mother hen. He was different from me in that I was
always pursuing something avidly. I was building
electronic circuitry or I was playing the piano or I was
writing. I used my little typewriter to write little
books when I was a kid. Or I would be avidly dating or
learning to drive. I was just excited about life and
doing all kinds of things. I felt different from him. He
was as different from me as day and night because he
couldn't understand the excitement of learning something
new and digging into a new field of knowledge. He didn't
seem to have the excitement that I had.
My mother had encouraged a very strong dependency
between herself and me, a kind of symbiosis that was
actually unhealthy. She had sheltered me from a lot of
things. She was probably unhappy in her marriage. She was
socially very confident and had lots of friends, and
through her I gained a lot of social skills and an
ability to empathize, which may have helped me as a
psychiatrist. She was a very loving and warm person who
could reach out to anybody, and everybody loved her. My
father was not warm and open. Nevertheless, he was very
well liked and respected. She died of breast cancer after
a 4-year illness.
I was horrified at age 13 when she died. At the time I
was away visiting a friend on the coast. I refused to
come back to her funeral because I did not want to think
of her as going away. I was fairly active in the
Presbyterian faith at that time and had played the piano
a lot in church. My girlfriend sang beautifully.
Together, we did a lot in the church. I believed that my
mother had gone to heaven, and I wanted to think of her
in heaven. I did not want to see her lying dead, a fact
which hurt my father's feelings terribly. I wasn't
thinking of him then; I was totally selfish. Nor did
anybody help me to realize it would have been good for me
to go to my mother's funeral because I could have
resolved it a little better with all the rest of the
family members who were there. I was a stubborn boy when
I set my head to something. I stayed down on the coast
and, of course, went through agony realizing I'd never
see her again. I knew she was dead. I was not denying
that.
WCR: Did she have the intellectual curiosity that
you have?
GGD: Yes, she did, not so much for science, but
just for life. I imagine I picked up a lot of excitement
about life from her and learned it well because she was
always interested in anything that I could do. Whenever I
would get in the darkroom to print pictures, she was
always excited about it and complimented me. In contrast,
my father rarely complimented anything except behind my
back to others. She was always complimenting me to my
face. There was a sheltering that I experienced with her
as a kid. I'd say, Wait a minute, I'll have to ask
my momma if I can talk to you. This would make the
other kid hang up and laugh at me. I was so sheltered by
her.
WCR: After your mother died did your father ever
marry again?
GGD: No, he resolutely stayed single.
WCR: What was life like after your mother died? You
had 4 more years at home, just you and your father. He
was rigid and not terribly supportive of your endeavors.
That must have been quite a change.
GGD: I felt very much alone, but I did have a
very good friend in high school and college who enjoyed
doing exactly the same things I did. This friend was
creative and had a family that enabled him to do more
things--like drive around in a jeep, fly a light plane,
and go to a home in Florida where we would water ski.
Through him I had an avenue into lots of activities in
meeting other kids. His older brother was in Cornell
Medical School. He went into psychiatry and urged me to
consider it too. He took me to Cornell to show me what it
was like when I was a freshman in college. His younger
brother and I were roommates in college. He really
became, in a sense, the replacement for a close family
member that I no longer had. It was his older brother who
introduced me to the dean of Cornell Medical School when
I was in Davidson College. I told the dean that I loved
biology, that I'd come to be fascinated by medicine
through my friend, and I really would like to work toward
getting the biology/chemistry degree at Davidson that I
needed for admission to Cornell. Three years later I went
up and talked to the same dean and he said, I
remember you. I'm impressed. And even though my
grades at Davidson were not the highest--I might not have
gotten into Cornell with just those grades--he was
impressed with my long-term motivation, and I was
admitted to Cornell.
WCR: Were your grades good in junior high school
and high school? Were you always a super student or not?
GGD: I was an average student, B to B+, but I
would have a wide range of grades consistent with my
being spoiled--studying only what I wanted to study. I
would barely pass some subjects and get an A+ in others.
WCR: Why did you decide to go to Davidson College?
GGD: Because my friends in Birmingham talked me
into going there. (Again, this same person, Mallory
Miree, and his brother Aubrey.) Aubrey had been to
Davidson, and Mallory was going to Davidson. It
disappointed my father that I did not go to Cornell like
he had. I was swept off my feet by the descriptions given
by Mallory and Aubrey about Davidson. Davidson is a
wonderful school, and it was then too. The social
limitations (all boys), however, were not good for me.
Because I had already sustained social developmental
arrest through having been too close to my mother, then
losing her, and then being scared to death about dating
girls, going to an all-male environment was not the best
thing for me, but I didn't know that at the time.
WCR: In college you majored in biology and
chemistry. Yet there was nobody in your family who was
nature or biology or science oriented. You developed that
interest on your own.
GGD: Exactly. Absolutely.
WCR: That was your genetic makeup from the
beginning.
GGD: The musical part was probably in my genes.
My love for science really expressed itself first in a
course I took at Davidson College called abnormal
psychology. I began to realize that my belief in religion
was based on what seemed to me to be a fallacy. If
psychology shows that there is a cause and effect to
behavior, how can one then be held responsible for sin? I
began to deeply question the tenets of religion--that
there is a God that made us but criticized us. I rather
dramatically went through a turnaround in the second year
of Davidson College, in which I changed from being
strongly religious in the Presbyterian faith to being
agnostic, which I've remained to this day.
WCR: Was that a disappointment for your father?
GGD: I think it was, but then again, he didn't
express himself much in religion. He believed very much
in a God, the God that his father had believed in as a
priest in the Armenian Church. (I think the Armenian
Church was also called the Gregorian Church.) The only
Armenian words that my father remembered to the end were
the words of the Lord's Prayer. I have that on tape. He
said he met William Saroyan on a boat, and he was
embarrassed because he couldn't speak Armenian. He had
just forgotten the language after 50 to 60 years in the
USA.
WCR: How many of those 7 languages that he learned
as a kid did he remember?
GGD: Just English and French.
WCR: That is why he liked to go back to France so
much?
GGD: Yes, and because he had friends there. He
had a friend who owned (and whose children now own) the
Chateau de la Filolie, a huge landmark chateau in the
central part of France in the Dordogne region. That's the
beautiful rolling, limestone hill country of south
central France, where the Lascaux caves are located. They
contain the 17,000-year-old cave paintings. Because algae
began to damage the paintings, the caves were closed to
the public. Before they were closed, I visited them. I
took numerous rolls of film of the Lascaux caves, but the
films were stolen and I never saw them. I went back in
1973 with Mary Beth, and we were among the last tourists
inside these caves. It was awesome. We toured with the
guy who had discovered the cave when he accidentally fell
through a hole in the ground into the cave. He talked to
us for hours, speaking in French (I recorded it with a
little tape recorder), about each painting on the wall.
We went down deeper and deeper and could hear the echoing
of his voice in his beautiful French as he described
these paintings. We felt like we were going back in time.
We came out of there awed. They don't know where the
original entrance of the Lascaux cave is. Our friends
think that the real entrance is on their property, the
Filolie Chateau, this huge, beautiful, sprawling place.
The children of these friends own another chateau, a
little farther north in the Touraine region of France,
that has a beautiful vineyard on it called Chaintres.
We've been there too. It's a smaller chateau. We still
stay in touch with them. The woman who owned the chateau
originally was an American from Alabama who married a
Frenchman. She was my father's friend. She invited my
father to the chateau, and my father took Mary Beth and
me there.
WCR: You must have blown the minds of your high
school and college classmates and teachers in your love
for and knowledge of nature and natural history, in being
a superb photographer who developed his own pictures, and
being a concert pianist. How did your friends and
teachers handle that?
GGD: It didn't start in college because then I
wasn't that much in love with biology. I was more in love
with electronics and starting to love psychology. I
started liking natural history when I had that experience
in Glacier National Park. As I learned more about
medicine, I became more fascinated with both biology and
natural history. I was thrilled with Cornell. I thought
Cornell was the greatest opportunity I had ever had. In
New York City, while in medical school, I loved the
American Museum of Natural History and Broadway.
My father's nightmare came true. The second summer I
went back to Europe and I became extraordinarily
fascinated with Gothic and Romanesque architecture. I
would photograph these buildings, the churches, learn the
different components of the architecture, and go to the
Uffiz? Galleries in Florence, Italy. I was fascinated
with the pictures and the sculptures in the Uffiz?
Galleries. I photographed things in the Louvre in Paris.
I came back from my second summer to Cornell enthralled
with architecture and art in Europe. These things
competed with my medical studies, and my father knew that
they shouldn't be competing. As a result, I paid the
price. I failed my anatomy examination at the end of the
first year. I took an anatomy book to Glacier National
Park but never opened it. I had been advised to go to
Columbia and take a summer course in anatomy. In my view
I would have wasted my summer if I had done that.
Instead, I had a spectacular summer in Glacier and almost
missed the train going back to Cornell. I ran down the
track as fast as I could run, in good shape after having
hiked all over Glacier. I caught the train by jumping on
the caboose. Unconsciously, I guess that I didn't want to
take that anatomy re-exam. But I studied for 2 days and
passed it.
The second year, I failed neuropathology. I went to
Europe, studied neuropathology on the boat coming home,
and passed the examination. That was a great relief. I
learned my lesson, but again my father said, I told
you so. That's been the story of my life. I would
spread out. I would love something, then I would neglect
a course and fail it. No smooth sailing for me!
WCR: It sounds like you have a bit of rebel blood
in you.
GGD: I do, and I pay for it.
WCR: Did you have any mentors in junior high, high
school, college, medical school, or in the church who had
a major impact on you? Or were you relatively timid in
getting to know your instructors?
GGD: I was timid, but there were still some who
really impressed me. The one that stands out is a
middle-aged lady who taught English literature in high
school. In her course I was able to diagram sentences
that were really long, and nobody else in the class could
do it. I had a sense of what good sentence structure is.
I loved learning Latin, French, and Spanish. I could
speak French fluently, although I am rusty now. I think
the language is beautiful, the most musical of languages.
Expressions are different in French and English; the
thinking process is different.
WCR: You mentioned that you enjoyed medical school.
You'd grown up in Birmingham and you'd gone to Davidson
College, a very southern school, and now all of a sudden
you were at Cornell in the heart of Manhattan. Most of
your classmates were not from the South. I suspect most
had a northeast tradition. And yet despite the fact that
many of them had come from colleges like Harvard, Yale,
Cornell, and Columbia, you had this tremendous musical
ability, you were an accomplished photographer, you
really had a handle on biology, you'd thought a lot about
human behavior. How did that whole scenario hit you?
GGD: As fast moving, unidirectional, and
superficial. I felt that many of the things I loved had
great depth and that my interests in these things were
not appreciated by my classmates, who tended to look
exclusively at medicine. I thought they had a shallow
perspective. They did not want to understand art better,
except briefly, or natural history, or music, or the
French language. They were dedicated to learning what was
in their textbooks. That was the model that my father
wished I would adopt. I felt as though I didn't have many
soul buddies to share my interests with. Often my
roommate in college, who was from South America, would
make fun of my interest in natural history. I would type
up an outline of some animal classification, and he would
come in and write comments on it that were derogatory. I
felt that if I did anything outside of medicine, my
colleagues did not appreciate it; their view mirrored my
father's lack of appreciation of my deviating from
medicine. So, I felt alone.
The American Museum of Natural History was a magnet
for me. I went there about every weekend. In writing the
recent articles for BUMC Proceedings, I think my
background in biology helped me to see bridges between
things, like between a pathogen and a symbiont. Most of
the literature focuses on pathogens and disease with no
questions about how organisms coevolve in a standoff.
With just 1 little change, 1 little nucleotide
substitution, a little colonist might become a pathogen
or a cheater in a mutualism.
WCR: What about your instructors in medical school?
Did any of them appreciate your renaissance personality?
GGD: The dean of Cornell stood by me. After I
returned from Europe he wanted to see images I had taken,
and he was excited about the slides I showed him. Even
though he knew I had failed that examination and gone to
Europe anyway, he gave me lots of compliments about the
exposure to art that I had had and brought back in
images. When I was at Southwestern Medical School, I met
Dr. Andres Goth, who was then the chairman of the
Department of Pharmacology. He and I became close
friends. He discovered that I had written for my own sake
an outline of drugs of abuse. I incorporated both
pharmacology and psychology in this outline when I had
been working at the Fort Worth Clinical Research Center.
He said, This is exactly what I want in my textbook
of pharmacology. So I did a chapter in his
textbook; it went through 8 or 9 editions. Every time I
would go to his house he would have me play something on
the piano or he'd want to talk about art or photography
or Europe. He appreciated my liking many different
fields.
WCR: Do you play much now?
GGD: Unfortunately not. For some reason my
Steinway has been sitting there unplayed for the last 15
years. I'm beginning to realize that it is a joy that I
am depriving myself of, and I'm looking toward getting it
restored.
WCR: What courses did you enjoy particularly in
medical school?
GGD: I always loved biochemistry. I loved
pediatrics, obstetrics/gynecology, and microbiology. I
never thought about putting that all together. I've
always loved working with children, even as a therapist.
I didn't go into child psychiatry, however.
WCR: What was it that interested you about
psychiatry? When did you decide that you wanted to be a
psychiatrist?
GGD: My first hint came in Davidson College
when my friend's older brother was going to go into
psychiatry and talked to me about it. Then I took courses
in psychology and abnormal psychology at Davidson and
loved it. Psychology really affected me in college. I
went to medical school with the idea that I would explore
psychiatry. I learned not to like it at Cornell because I
didn't like the Payne-Whitney Clinic or their courses. I
considered their teaching poor. I graduated from Cornell
with some serious doubts about psychiatry and therefore
decided to do a rotating internship which included
surgery, obstetrics/gynecology, pediatrics, and general
medicine in Seattle at the Virginia Mason Medical Center.
After the internship I still didn't know what I wanted. I
therefore applied to the CDC and took 2 years off to do
my service years there.
I was delighted that I was accepted in the Epidemic
Intelligence Service, which provided training in
communicable disease epidemiology and assigned me to the
Maryland State Health Department, which I loved. It was
great. I was able to go out in the community and work on
epidemics of disease. I would go to a school and try to
figure out why infectious hepatitis, for example, had
gone through the school. Back then it was just called
infectious hepatitis. I also studied sexually
transmitted diseases, then called venereal diseases.
At that point I still didn't know what I wanted and I
thought, I'll never know unless I go ahead and try
it. I applied to the University of Washington's
psychiatry residency program and was accepted. I
discovered that I liked it from the start. I enjoyed
sitting down with a patient, one to one, and working
through issues. It was a teaching situation in a
different way. I've always loved to teach. This was an
opportunity to help someone learn how to think and feel
differently. It felt good.
WCR: It seems to me that your going to Seattle to
the Mason Clinic as an intern was an adventurous thing to
do. Did your working in the national park after your
first year of medical school have an influence on you in
your internship decision?
GGD: No question. I went out to the northwest
because it was a beautiful part of the world with great
wilderness country. It was strictly the nature that made
me want to go out there. I just dove in and went as often
as I could to the Olympic peninsula, to Mount Baker,
Mount Rainier, down into California, to the Oregon coast.
I was married at the time, and my wife loved it too. She
was a nurse, and we'd take time off and go to all these
different wilderness areas. I photographed the mountains
we skied on. We could ski close to Seattle. The climate
was wonderful.
It was frustrating being an intern without having much
spare time, building audio amplifier kits at the same
time, reading and doing all these other things I wanted
to do. For 1 month I was on emergency room duty at
Virginia Mason Hospital, the only person on during
weekends. I would go for 3 days and 3 nights with only 5
minutes of sleep at a time. That was the most trying
experience in my medical training. It was awful. It was a
criminal way of treating houseofficers. I almost made a
few bad mistakes in treating patients because I couldn't
think straight after 3 days.
WCR: It seems to me that not many people who
graduate from Cornell go to an internship at a
nonuniversity institution. Does that personify the
rebellious instinct in you?
GGD: I don't know. The Virginia Mason Hospital
Medical Center was a teaching institution, but it wasn't
a university. I applied only in the Pacific Northwest. I
don't think I was rebelling getting away from the
university setting. I think it just happened to be that
way. I would have preferred to be in a university
setting. I loved it when I got back in the university
setting at the University of Washington. I started taking
advantage of the other courses available. I took courses
in oceanography and mineralogy while I was in my first
year of residency.
WCR: It sounds to me like you were a gadgeteer
growing up--circuitry, electricity, physics, and cameras.
I imagine when computers came out you had one within a
year.
GGD: I did.
WCR: I don't think of people who go into psychiatry
as gadget oriented. And at the same time I gather that
biology was something you loved. You seemed always to be
interested in human and nonhuman behavior. Did you enjoy
your psychiatry residency?
GGD: I loved it. I loved working with people
and learning more about the complexities and the
unanswered questions about human behavior. I still do. In
the courses I now teach at the medical school, I explore
behavior with fourth-year residents. It's fascinating to
explore the meaning of behavior in today's age when we're
learning the language of biology in the life of a gene.
Biology is making us ask questions: How relevant are
genes to human and nonhuman behavior? Is the nervous
system programmed in its architecture by genes? How about
some of the more fundamental functions of the nervous
system, like feeling pain or instructing a muscle to
move? Are these encoded in the gene? Of course they are.
Then it gets still more complex. That's the part I
discuss--how much of our complex behavior should we
consider as having some predisposition in our genome.
Should we look at genes at all for this, or is it too
difficult to tease apart? These questions are difficult.
They're embodied in that wonderful statement that
Katharine Hepburn made in The African Queen,
Nature, Mr. Allnut, is what we are born to rise
above.
WCR: It's interesting to me that after your
internship you got a position with the CDC and studied
populations with various conditions. That's quite
different from psychiatry.
GGD: It sure is.
WCR: Do you have any regrets that you didn't become
a microbiologist? You obviously are very creative and
very questioning of things about you.
GGD: I do in a way regret that I did not go
into research. It wouldn't have to be microbiology, but
just research in any field--biology or social sciences.
To make the greatest impact in the scientific world, I
would have needed to be a researcher. I'm sure as a
teacher, as a person who integrates information and tries
to help people understand it, I can make contributions
just like everyone can. But it's not the same as being a
researcher and making discoveries that somebody else
hasn't made. Something feels good about that, that I will
never feel.
WCR: How did you get to Dallas?
GGD: I moved from Seattle to Fort Worth. I left
the residency program at the University of Washington to
finish my requirement with the National Institute of
Mental Health. They had paid my salary for 2 years at the
University of Washington and I owed them 2 years in
return. They decided where I would go and chose the Drug
Treatment Center in Fort Worth, which treated
incarcerated heroin and barbiturate addicts. I was not
happy about moving to Fort Worth. It turned out, however,
to be a great experience. I had not realized that
studying addiction medicine, which it is
called now, could be fascinating. I began writing on it
and published a paper in the Annals of Internal
Medicine on how to evaluate a suspected drug user in
the emergency room. I got numerous reprint requests from
all over the world. People would tell me that the library
copy of this article was so dog-eared that they couldn't
read it so they needed a reprint. That is when I decided
I needed to write an outline of drug abuse for myself.
Dr. Andres Goth saw that outline when I went to
Southwestern and asked me to write the chapter in his
book.
WCR: How did you meet Dr. Goth?
GGD: My psychiatry supervisor at Southwestern
learned that I had prepared the addiction outline and
asked if he could see it. I brought it the next day. He
said he knew somebody who should see it. He's just
right down the hall, Dr. Goth. He writes a textbook on
pharmacology. His book was translated into 14
languages. My father appreciated that success. The
textbook was even translated into one of the Old World
languages that he had had to learn. He was able to break
down and congratulate me.
WCR: I gather that those 2 years working in the
addiction center in Fort Worth were very stimulating.
GGD: Intellectually stimulating, but boring
because I was in a government operation where things went
at a snail's pace.
WCR: As a bit of a rebel you didn't like that
rigidity, that being penned in?
GGD: I had to create the intellectual part. It
was absolutely dead otherwise.
WCR: You decided to go into private practice in
psychiatry after that and you chose Dallas. What was your
thinking process at that time?
GGD: I liked everyone I worked with at the
medical school. I had a wonderful experience there.
WCR: You got to know some medical school faculty
via the pharmacology department?
GGD: Actually, I did my third and final year of
training in psychiatry at The University of Texas
Southwestern Medical School. That was the best experience
ever. I had some superb supervisors there. I was made a
member of both the departments of psychiatry and
pharmacology after I finished the residency year. I also
met Mary Beth and we became very serious. I had really
loved Seattle and I hated the hot summers of Dallas and
Fort Worth, but I liked everything else. I liked the
people, I liked the community, and I had met Mary Beth. I
completed the last year at the clinical research center
in Fort Worth after beginning my private psychiatry
practice in Dallas. My private practice on my own took
off rapidly. For the first 5 years I practiced by myself,
then I moved my practice to the Timberlawn outpatient
clinic. I was known in the community because of my drug
abuse work. I gave talks everywhere--at Baylor, at the
Texas Medical Association--and wrote in the TMA
Journal about the pharmacology and psychology of drug
abuse.
WCR: What year did you finish your training?
GGD: 1968.
WCR: So you started in private practice in 1968?
GGD: Late 1968. Back then drug abuse was a new
field. Nobody knew anything about it. When I came on the
scene some people knew the pharmacology, but they sure
didn't know the psychology of it. I knew a lot about
both. I did not limit my practice, however, to drug
users.
WCR: How did you enjoy private practice?
GGD: I really enjoyed it. It was fun. From the
beginning I started my practice 4 days a week so that I
would have the 3-day weekend for the other things I liked
to do. Mary Beth and I would go out in the country and
ride our bicycles together. I just wanted to do a lot of
different things. I did not do hospital work because I
didn't want weekend duty. From the onset, I had
extraordinary freedom. My income suffered somewhat from
it, because I didn't get the income of a hospital
practitioner. That was okay with me because I had the
freedom I loved so much. I could work in the darkroom in
my apartment; I could do all kinds of things. When Mary
Beth and I got married in 1972, I continued my practice 4
days a week. She taught school in Richardson. After
another 10 years or so, I decreased the 4 days to 3 days
a week and then had 4 days off every week to do the other
things I wanted to do. And even that was not enough time.
How many people have that kind of freedom?
I moved to Medical City at the urging of Dr. Linda
Hughes, a psychiatry colleague at Timberlawn. She and I
shared an office at Medical City for 15 years. It was a
marvelous experience at that hospital. We made numerous
physician friends there in all different specialties.
I discovered I liked giving talks on a variety of
things, beginning with cerebral lateralization, to the
neuroscience conference at Medical City. I had done that
earlier at Timberlawn. They liked it, so I started giving
regular talks on different things--from evolution of the
nervous system to behavioral ecology. At some point the
medical school realized that I could give some grand
rounds on these subjects, and I started that with topics
such as the evolution of language and behavioral ecology.
A very creative psychiatrist at the medical school, John
Battaglia, now at the University of Wisconsin, invited
the whole psychiatric staff to consider giving elective
courses on anything they felt comfortable with. I told
him that I could teach behavioral ecology, and he
accepted my offer. He and I started 10 or 12 years ago
teaching behavioral ecology together to fourth-year
psychiatry residents. He left to go to Alaska, and I've
continued the course ever since. Only a small number of
residents take the course, but they like it. It gives
them an exposure to evolutionary theory, animal behavior,
the genetic basis for behavior, and a different way of
looking at human behavior that you normally don't get in
residency training programs.
WCR: You quit private practice in 1993. What do you
do now?
GGD: I keep up with a lot of scientific
literature; it takes me most of the week. I subscribe to
a lot of scientific journals, like Nature. I see
them when they first come on the Web. I try to organize
information, and I've gotten to be a collector of too
much information. I need a bigger study. It's almost
gotten to be obsessional. I need to back away from it a
bit. I used to tell patients to stop and smell the roses,
and I'm still trying to talk myself into it. Now that
Mary Beth has retired, she joins me in teaching. We still
travel around the world to different places and work on
documentary photography. It is used in the teaching we
do, as well as being an artistic pursuit. The photography
is strictly color and 35 mm. We no longer use black and
white film or larger film formats. Our teaching includes
slide presentations to children or adults, either lay or
academic audiences, on the subjects of behavioral
ecology, African wildlife, tropical rain forests,
pathogens and parasites, and symbiosis. Our presentation
called Planet Earth contains the best
photographs we've taken from the New World tropics, east
and southern Africa, the Southern Ocean, and coral reefs.
Our presentations, like the book, contain the best of our
work with a message of what's happening to ecosystems,
where biodiversity is, and what we should be doing to
protect it. Mary Beth is far better than I am at talking
to children. She and I have a lot of friends, and we have
more time now to spend with them. We still travel, but no
more than we used to. We like staying home too.
WCR: It sounds to me like you don't sleep much.
GGD: No, I do. I sleep 8 hours of every 24 or
I'm no good.
WCR: What about when you practiced full time and
still had all these other activities?
GGD: I still probably slept 7 hours a night.
WCR: You must be a speed-reader?
GGD: I've learned to be fast. I can really move
quickly through the Web pages.
WCR: You have published a lot of your photographs
in National Geographic.
GGD: In their books and in their other
journals, but not in the National Geographic
magazine. That would be a pinnacle, once they finally
publish a picture of ours in their magazine.
WCR: Do you receive some compensation for some of
your present activities?
GGD: Yes, for some.
WCR: It costs a lot of money to travel around the
world and do what you do.
GGD: We've never been sponsored except once on
a trip to Africa. We pay for our trips entirely
ourselves. Some 13 or 14 years ago, we put our
photographs in with an agency in New York called Photo
Researchers. They are a wonderful stock photo agency.
They were small at the time. They've remained like a mom
and pop agency, but they sell our photographs like
hotcakes. Income from Photo Researchers pays for a major
trip every year, or part of a major trip.
On a recent trip we took pictures for the La Selva
Field Station, and that partially defrayed our expenses.
The La Selva Field Station is 1 of the 3 field stations
in Costa Rica that belongs to the Organization for
Tropical Studies, a consortium of 80 or 90 universities.
La Selva is their best-equipped field station. It's in
the middle of a large rain forest--dense, beautiful, well
protected on the Caribbean slope of the mountain range.
We've gone there a dozen times. We sit in the cafeteria
with these researchers and talk to them about what they
are doing. Every time we go, different groups of
researchers are there. They study plants, insects, bats,
birds, mammals, ants, the ecology of the forest, etc.
Most of them want photographs. They either don't have the
equipment, the time, or the skill to photograph what they
are doing. A lot of the stuff is in rain.
The rain forest is entirely different from the African
Savannah. It's wet and dark; things are not immediately
obvious. You have to get close; some animals are way up
in the trees. They are a nightmare to photograph.
Specific skills must be developed for photographing in a
rain forest. You don't have to hire a guide. You don't
have to stay in a fancy place. They don't even charge us
for food or lodging because we are taking pictures for
them. This makes a big difference in the costs.
In Africa we go with a guide, hiring him in advance,
and we make sure we go with a good outfit. We stay in a
tented camp with other tourists, but we have our own
guide and we are pretty much on our own. When we want to
stay 4 hours with an animal while photographing, we can't
do that with a group of tourists. I have gone on some
tourist trips, but it has always been frustrating. It's
just not worth it. Income from the photo agency has
helped pay for the trips. For the most part we have come
out ahead despite all the cost and lack of sponsorship.
WCR: Psychiatry is not the best specialty in the
world for monetary reward?
GGD: Nor is teaching. We just aren't big
spenders.
WCR: How old are your children?
GGD: Thirty-six and thirty-eight (Figure 7).
WCR: What do they do?
GGD: David is a carpenter and craftsman on Long
Island and works on restoring homes. He also works at the
Hampton Classic, which is a fancy horse show. He builds
structures there and organizes the operation. Karen, who
has loved ballet for most of her life, gave it up when
she was in her late 20s, went into accounting, and is now
going into veterinary medicine. Both are married. Karen's
been married a few years to a mathematics teacher, and
David just married a professional chef in New York who
got quite a bit of recognition on Fifth Avenue. She was
interviewed by Martha Stewart.
WCR: How old were you when you and their mother,
Marilyn, got married?
GGD: I was a third-year medical student at
Cornell. I was about 24. I met her when she was a nursing
student in Cornell. We got married and moved into an
apartment, and I continued to finish Cornell Medical
School. She went with me to Seattle for the internship
and for the first 2 years of my psychiatry residency. She
was with me in Maryland. When I moved to Texas we
separated. She and David and Karen moved back to New
Jersey where her family was. My 2 children, who were 3
and 5 when I separated from their mother, moved up to New
Jersey, and I have stayed in close contact. I love them
very much but only see them a few times a year.
WCR: When did you and Mary Beth meet?
GGD: I met Mary Beth a year later, near
Christmas in 1967, just as I was going up to see the
kids. I tried to get over my depression of breaking up,
and I learned to fly an airplane. I had fun flying that
Cessna airplane, taking pictures out the window. On our
first date, I took Mary Beth flying in an airplane.
WCR: Do you fly anymore?
GGD: No. I stopped flying about 15 years ago.
WCR: How many pictures do you figure you've taken
in your lifetime?
GGD: I guess I would have to think in terms of
rolls--50 to 100 rolls per trip (36 images per roll) and
not much in between trips. I've taken, starting with
France in the 1970s, 10 or 12 trips to Africa, 10 or 12
to Costa Rica, Antarctica, Alaska, and Australia (Figure 8).
For 10 years our only trips were diving trips to coral
reefs. Probably 40 trips at 75 rolls of 36 images each
(100,000 images).
WCR: What are some of your most exciting wilderness
experiences?
GGD: The first one was Glacier National Park.
That was my virgin exposure to wild country, animals,
plants, and the beauty of an ecosystem that was largely
undisturbed. It was spectacular.
Another was my first trip to the Serengeti.
Some people call it the Serengeti-Mara because Serengeti
literally refers to only the Serengeti plains of
Tanzania. But they are continuous with the system that
goes across the border into Kenya, called the Masai Mara.
Serengeti-Mara is the combined ecosystem through which 3
mammal species migrate and do a roughly circular annual
migration. It is the most remarkable remaining land
mammal migration on earth. The Serengeti is at the top of
my list. You gaze out over the Serengeti Plains and you
see thorn bushes dotting the plains. These beautiful
acacias that have such a magnificent shape can be read
about in Out of Africa. You see clumps of giraffe
and clumps of zebras. You know there is a lioness or two
out there in the tall grass, but you can't find them. You
don't know where they are. And there is a termite mound
over there, and if it is after the rains you know that
the termites are active and there may be flying termite
swarms. You are privileged to see all of this from a
vehicle if you can get up close to these animals and they
tolerate you. If you go out at night you see African wild
cats, which are believed to be the ancestors of our
domestic cats.
My next choice would be a visit to a tropical rain
forest, which is as different as day and night from
the Serengeti. You are in an enclosed space with plants
all over your head, it's raining, you smell the moisture,
plants are dripping water, and no animals are visible
unless you look very closely. You might see an insect
which is cryptic, camouflaged against the leaflet or on
the forest floor. Or there may be a snake over there but
you have to look carefully for it. It is so highly
camouflaged you might walk on it if you're not careful.
You wear boots in the tropical rain forest. You may hear
a howler monkey in the distance, but you'll never be able
to see it. The rain forest is as diverse as if not more
diverse than the African savannah. The rain forests are
planetary gardens of diversity, and if you were to go to
the canopy you might find even more diversity.
Biodiversity of species resides probably more in tropical
rain forests and cloud forests than any other habitat,
whereas diversity of phyla (echinoderms, chordates,
cnidaria, mollusks, ctenophores) is greatest on the coral
reef. We're losing this diversity on planet earth all the
time.
Another wilderness experience would be a dive in
the Philippines, in which we didn't go very deep (Figure 9).
In fact, I was only a few feet below the surface in the
middle of the day, and I was surrounded by a cloud of
ctenophores, which are comb jellies. These were the big
ctenophores that you see in the Pacific. Some of them are
3 or 4 feet long. One of them is called the Venus Girdle,
and it moves in the current passively and scintillates in
the light with different colors. It was the most
beautiful thing. I spent an hour just floating in the
midst of this jungle of ctenophores, just awestruck.
Night dives are especially exciting. When you go out
on a night dive you are surrounded by a cocoon of light,
and you know that the sharks are out there in the
blackness somewhere, but you can't see past where your
light is. After turning your light off, it's all black
except for occasional miniscule creatures that light up.
They will light up if you touch them or if you rub the
sand. There is a lot of bioluminescence in the ocean.
When you turn on your light you see colored coral polyps
that are open like a garden of flowers at night. Basket
stars have come out of hiding and have walked up the sea
fans and spread their wings out to catch plankton in the
movement of the current. It's like being on Mars, like a
museum of invertebrate zoology to go night diving. I've
never had such extraordinary wonderment as when I do a
night dive.
Dr. Larry Tripp, a psychiatrist at Baylor, and his
wife, Mary Nell, taught us the art and science of diving
and made it possible for us to enter the magical realm of
coral reefs and experience them fully.
The monarch butterflies in the overwintering
places in Mexico just blew us away. We were
covered with monarchs, head to foot. All the branches of
the trees were covered with them. Little mice came out of
the field and fed on them. Some birds fed on them. They
were just everywhere, like a snowstorm.
We were also chased by an elephant. While in
Botswana in an open vehicle, my son, David, and I
surprised an elephant group with mothers and young. They
have a matriarchal social system. The matriarch watches
after the young and the other females. The males come and
go. We surprised them and she didn't like it, so she
started chasing us with her ears out. If our car hadn't
started I wouldn't be here today. She would have taken us
apart, limb by limb. She and the entire herd chased us
for several miles down along the river Khwai in the
Okavango Delta. We managed to stay just ahead of her by
driving about 25 miles an hour. She came at us. She was
trumpeting and her whole herd was behind her. David
turned around and got a shaky video. That was one example
of almost being killed. David was a wonderful assistant.
He went with me twice to Costa Rica, carried my backpack,
and helped me get the photographs.
Army ant swarms are fascinating to watch,
especially when you get to see the bivouac sites, which
are basketball-sized clumps of living ants usually in a
protected place next to a log. They drip down in columns
as they come towards you. Lewis Thomas said about army
ants, The whole beast is an intelligence, a kind of
a live computer with crawling bits for its wits.
In Africa at night in the open plains, the
stars are overhead, and you are in the Southern
Hemisphere, which Northern Hemisphere astronomers would
give their eye teeth to see. Southern Hemisphere stars
are so dramatic. The center of the galaxy is up there.
They are more luminous. It's just a more dramatic swatch
of the Milky Way in the Southern Hemisphere. When I took
this time-exposure picture in the Southern Hemisphere,
that's the Milky Way--the white swatch there (Figure 10).
It's also moving around with the stars. It's like an
Egyptian night. The south celestial pole doesn't have a
pole star like the North Star. We're at 19? south
latitude here so that's up about 19?.
At night in Africa animals are out that otherwise
wouldn't be out--bush babies who are little primates with
big eyes, servals, and genets. Leopards are out (they
often stay in hiding during the day), hippos are out on
the ground instead of in the water (they are grazing),
and African wildcats are out. Hyenas become aggressive at
night. Night experiences on the reef, the tropical rain
forests, and Africa are absolute musts. If you dive,
you're crazy if you don't do a night dive. If you go to
Africa or the tropical rain forest, you have to go out at
night.
There is fantastic excitement in learning about all
this stuff. A quote from Lewis Thomas is wonderful:
There is a real esthetic experience in being
dumbfounded. And again, If anyone does
succeed in explaining it [it is the growth of
a fertilized egg into the human brain] I will charter a
sky writing airplane, maybe a whole fleet of them, and
send them aloft to write 1 great explanation point after
another around the whole sky until all my money runs
out. There is a Kenyan proverb written on the wall
of the American Museum of Natural History which we use in
our slide presentation: Treat the earth well. It
was not given to you by your parents. It was loaned to
you by your children. There is a biologist at the
University of Pennsylvania--Dan Janzen--who is a hero in
Costa Rican conservation. He says, The wild is at
humanity's mercy now. Humanity now owns life on
earth.
The tropical forest around the world collectively is
being clear-cut or burned at a rate of about 10 football
fields a minute, according to National Geographic.
WCR: It must be driving you crazy to have such an
appreciation of both human and nonhuman animals and see
what humankind is doing to destroy the planet and its
many species every day.
GGD: I read everybody who writes about it, from
E. O. Wilson to Dan Janzen to the people I know in the
Organization for Tropical Studies. They are all
despairing. Dan Janzen has the best approach of anybody.
He argues that we can't be idealistic and think that we
can talk people into saving their wildernesses. It won't
work. The only thing that will work is getting the people
themselves involved in appreciating their wilderness, in
teaching about it, and using it as a resource--not just
as an intellectual resource or artistic resource, but as
a monetary resource. They can show it to people, they can
foster tourism by being careful, not letting the tourists
destroy our national parks. Tourism can be overdone, but
it also can be underdone. You have to teach the natives,
not foreigners; you have to teach the Costa Ricans about
what they have. Make the children appreciate it from
young ages up. They have to want to teach other people to
use it as a national resource.
It's an anomaly that the Serengeti is still here
because it is in one of the poorest countries of the
world. And yet it's still here. Its borders are being
encroached constantly, but it is recognized as a tourist
attraction. It brings money into Tanzania. But they are
still poaching everywhere. In Costa Rica they spend as
much money protecting their animals from poachers as they
do in buying land to preserve it in the first place.
(Poaching as in cutting down the trees as well as killing
the animals.) Studies show that as an ecosystem is
deprived of its diversity, it becomes unstable. It's like
taking the rivets out of an airplane. You don't notice
anything at first, then all of a sudden it all falls
apart. Each species in a complex ecosystem contributes in
a subtle, complex way to the stability of that ecosystem.
WCR: What you're talking about, in a way, is
preventive medicine for human beings.
GGD: Very well put.
WCR: It is my understanding that half of the oxygen
on planet earth comes from the Amazon Basin. Is that
right?
GGD: That and the phytoplankton in the ocean.
Possibly the Amazon Basin for land-based plants produces
more than other rain forest areas. The Asian tropics
belong to that same belt of tropics around the world.
There is a huge amount going on in the ocean. And the
oceans are getting polluted and spoiled too.
WCR: I understand that we are utilizing about 77
million barrels of oil a day now on this planet. (Each
barrel contains 42 gallons.)
GGD: I didn't know the figure.
WCR: I gather that earth is getting warmer. You
came over to my house this morning by using fossil fuel.
What are we going to do to protect earth and, therefore,
ourselves?
GGD: I wish I could give you a succinct answer
on that, but you can probably answer that as well as I
can.
WCR: It seems to me that the major destruction on
the planet is being done, as you say, by people.
GGD: No question.
WCR: Maybe cows, the way we put them in these feed
lots and let their excreta flow into the ground water and
lakes and rivers and so on is playing a role. If we
didn't have so many people we wouldn't have so much
destruction. We have 6 billion people and that continues
to increase daily. What can we do about that?
GGD: I asked the CDC people about that when
they came to talk recently in Dallas. We have family
planning clinics, they said. That's all. I want to know,
just as you do, what we are going to do about the
population increase. It is growing the fastest in the
developing countries. What is going to happen when health
improves? It may grow even faster then. How do we
counteract ignorance and how do we counteract a
resistance to birth control? It's really a desperate
situation. The population of earth is killing earth.
Pathogens and parasites are being stirred out of the
repositories in remote rain forests where people are
invading. Pathogens are crossing the species barriers
that they otherwise wouldn't. The earth is becoming
stirred around. It's becoming like a mac-
ecosystem, like a homogeneous one because of so many
people and because of instant travel anywhere. Microbes
are having opportunities that they have never had before.
This is because of increasing population and because of
mobility and because of our disrespect for keeping
habitats intact. It seems more and more likely that the
massive use of fossil fuels is warming the planet.
It's like mental health, a subject rarely looked at by
itself. Is there such a thing as preventive psychiatry
modeled after preventive medicine? There is so much
mental illness. There are so many disturbed families.
WCR: What about controlling nuclear power? Among
the planet's 6 billion people, there are many crazy ones.
It doesn't take a genius anymore to figure out how to
make an atomic bomb. Do you think we are going to have
these things take care of the population after awhile?
GGD: Some people have predicted that. Whether
it's nuclear war or bioterrorism, who knows? Some people
feel that bioterrorist agents are more dangerous than
nuclear bombs. Unlike a bomb, the microbes can spread
like a brush fire.
WCR: It sounds to me like Mary Beth is your best
friend.
GGD: That is very well put. She is.
WCR: You have mentioned her several times and you
seem very proud of her when you talk about her teaching.
She teaches children better than you do. Of course, she's
had some experience in that. These trips you do
together--I assume you got her interested in most of the
interests of yours.
GGD: Mostly it was my idea first, but it didn't
take long for her to join in. She has as many ideas as I
do. We're very much in it together. Neither one of us is
the leader. But early on, I was the one who talked her
into going to these places. She is, no question, my best
friend, and our relationship has been wonderful from the
start. We've both been lucky.
WCR: What would your father have thought about your
career?
GGD: I think he would finally at this point say
he was proud and give up his idea that maybe I never
quite achieved the social circles that he would have
liked me to achieve. He was not into fame or notoriety
for himself or necessarily for me. He wanted the social
recognition in a special social area. But he would say
that I've been successful in the sense that I've earned a
living and saved money. Those were 2 of his big goals--to
be able to save money and to be self-supporting. He would
approve of that and would probably be proud of me for
that.
WCR: What is your day like now? Would you describe
a typical day when you are not traveling?
GGD: Let's say it's the middle of the week,
like Wednesday. I've gotten to bed at 1 am the night
before. Both of us frequently reprimand ourselves for not
getting to bed earlier. So we get up later, 9 AM, have a short breakfast, work out at
the health club. I might come back and have a few prints
made for friends. Or I might get on the computer and go
to the Tree of Life, the University of Arizona Web site
where they are putting some of our pictures on their
classification of life Web site. We are giving them
pictures, and it is nice to see them on the Web site.
Then I do some deskwork, maybe finish up a science
magazine that I hadn't gone through. This week I worked
on the last of the papers, part 2 of symbiosis for BUMC
Proceedings.
We might work on the next trip. Since we had to miss
Costa Rica because of Mary Beth's father's death, we are
considering a trip to Iceland. I've always wanted to walk
in the middle of the mid-Atlantic ridge and see the
geologic features. We might work on that with some books
and Web sites that we've found.
I might try installing a backup hard drive for my
computer. In preparation for this interview with you, I
got out some old reel-to-reel tapes of my father's
history and realized I don't have a reel-to-reel tape
recorder anymore. I was scrounging around trying to
borrow or find one somewhere. I failed. Or I might go up
in the darkroom and organize some images that came back.
On Wednesday evenings, I go through each article of Nature
on the Web site and see if I want to extract part of it
and put it on the hard drive under categories I have set
up. I also have superb library help at Medical City; the
librarian, Miriam Muallem, is so wonderful in getting me
references. If I have an appointment at Medical City, a
dentist appointment or something, I might go over and say
hello to the doctors in the doctors' dining room. I still
know a ton of people at Medical City. I have a wonderful
time with them. I'm still on the staff there, even though
I am not active. I give talks at the neuroscience
conference. I do a multitude of different things when
we're not going on a trip.
This November we will go to the Falkland Islands and
South Georgia Island. That will be the second time to the
Southern Ocean, and it will be fascinating. The first
time was in 1981. By early October we will start working
hard on the trip--getting the right medications, making
sure that we are prepared medically for it. When I take
medications on trips I usually end up taking a little
more than I need because if somebody else needs them, I
don't want to have to withhold. I have to get them fresh,
and I make sure that they are in properly labeled bottles
so it won't look like I am carrying illegal medicines, in
case customs wants to see them. Getting the film,
cameras, and backpacks ready is easily a 3- or 4-week
job. Every year film changes, so I need different types
of films that improve in one way or the other. I'll have
to go through testing on my own to make sure I like them.
Cameras change too but not as often. I have 2 Nikon F-5s
now that I am happy with, and I'm going to stick with
those for a long time. My equipment will be easy to put
in backpacks. I have to stand on my head to keep the film
from being x-rayed. That's my biggest worry when I go on
trips. X-rays in this country usually don't hurt film,
but you never know in another country whether their x-ray
machines are going to be too powerful and harm the film.
I usually restrict the speed of my film to ISO 100. I
might take a speed 200 film just in case I see some
northern lights or southern lights or something like
that.
WCR: The lower the film ISO number the less damage
through the machines?
GGD: Right. The lower the number, the slower
the film and the less sensitive to light and to x-ray.
WCR: Your father must be quite proud of you for
your capacity for friendship. It looks like making and
keeping friends is a priority in your life and probably
particularly so now that you have retired from day-to-day
work.
GGD: I think you are right about that. I keep
thinking of ways in which I have not reached out as much
as I could have to friends. I probably failed at that in
a lot of ways, but an awful lot of friends have reached
out to me and it's been wonderful. Mary Beth and I both
have a wealth of wonderful friends in Dallas. That's one
of the beauties of being geographically stable.
WCR: Is there anything, Greg, that you'd like to
talk about that we've neglected?
GGD: You covered so much because you are so
skillful.
WCR: Greg, I want to thank you very much for
pouring your soul out here, so to speak, and I'm certain
that the readers of BUMC Proceedings
will be as grateful as I am. Thank you.
Publications by GGD
- Dimijian GG.
Evaluation and treatment of the suspected
drug user in the emergency room. Arch
Intern Med 1970;125:162-170.
- Dimijian GG.
Clinical evaluation of the drug user: current
concepts. Tex Med 1970;66:42-49.
- Dimijian GG.
Office evaluation and treatment of the drug
user. Drug Therapy 1971;1:7-20.
- Dimijian GG.
Differential diagnosis of emergency drug
reactions. In Bourne PG, ed. A Treatment
Manual for Acute Abuse Emergencies.
Rockville, Md: National Clearinghouse for
Drug Abuse Information, 1974:1-7.
- Dimijian GG.
Differential diagnosis of emergency drug
reactions. In Bourne PG, ed. Acute Drug
Abuse Emergencies: A Treatment Manual.
New York: Academic Press, 1976:3-13.
- Dimijian GG.
Contemporary drug abuse. In Goth A, ed. Medical
Pharmacology, 4th to 11th ed. St. Louis,
Mo: CV Mosby Co, 1968-1984.
- Dimijian GG.
Contemporary drug abuse. In Clark WG, Brater
DC, Johnson AR, eds. Goth's Medical
Pharmacology, 12th ed. St. Louis, Mo: CV
Mosby Co, 1988:337-363.
- Dimijian GG.
Curiosity killed the hat. Natural History
1989;Nov:62.
- Dimijian GG.
Exchanging words [correspondence]. Nature
1993;362:583.
- Dimijian GG.
Evolution and religion [correspondence]. Nature
1993;366:296.
- Dimijian GG,
Dimijian MB. AnimalWatch: Behavior,
Biology, and Beauty. New York: Harry N.
Abrams, 1996.
- Dimijian GG.
The moral ape [correspondence]. Nature
1997;385:12.
- Dimijian GG.
Pathogens and parasites: insights from
evolutionary biology. BUMC Proceedings
1999;12:175-187.
- Dimijian GG.
Pathogens and parasites: strategies and
challenges. BUMC Proceedings
2000;13:19-29.
- Dimijian GG.
Evolving together: the biology of symbiosis,
part 1. BUMC Proceedings
2000;13:217-226.
- Dimijian GG.
Evolving together: the biology of symbiosis,
part 2. BUMC Proceedings
2000;13:381-390.
- Photographs of
wildlife and animal behavior, published from
1980 through 2000 by the National Geographic
Society, The New York Times, Time
Magazine, Time-Life Books, the National
Audubon Society, Natural History, Science,
Scientific American, International Wildlife, National
Wildlife Federation, The New York Zoological
Society, Sky & Telescope, Microsoft
Corporation, and other publishers of
textbooks, children's books, and educational
software.
Landmark books in biology, behavior, and
natural history
Wilson EO. The
Diversity of Life. New York: WW Norton & Co,
1992. Possibly the best book ever written on
biodiversity and disappearing species.
Moss C. Portraits
in the Wild: Animal Behavior in East Africa, 2nd
ed. Chicago: University of Chicago Press, 1982. An
accurate and engaging description of most large
mammal species on the savannas of East and Southern
Africa; hard to put down.
Estes RD. The
Behavior Guide to African Mammals. Berkeley:
University of California Press, 1991. The best field
guide available to mammals of East and Southern
Africa, written by a mammalogist and researcher who
has spent much of his life in East Africa.
Belt T. The
Naturalist in Nicaragua. Chicago: University of
Chicago Press, 1985. A remarkable narrative by a
19th-century explorer and keen naturalist in the
dense jungles of Central America. (Originally
published in 1874.)
Forsyth A, Miyata
K. Tropical Nature: Life and Death in the Rain
Forests of Central and South America. New York:
Charles Scribner's Sons, 1984. A practical guide to
what to expect and look for when traveling to a rain
forest.
Barrow J. Pi in
the Sky. Oxford: Clarendon Press, 1992. An
erudite and entertaining exploration of mathematics
and nature.
DeWaal F. Good
Natured: the Origins of Right and Wrong in Humans and
Other Animals. Cambridge, Mass: Harvard
University Press, 1996. A startling description of
the humanlike behavior of chimpanzees and bonobos,
supporting the author's argument that moral behavior
has its roots in animals other than humans.
Goodall J. In
the Shadow of Man, revised ed., 1988. Boston:
Houghton Mifflin Co, 1971. The legendary story of
Jane's early single-handed work to discern the lives
and behavior of wild chimpanzees and the first deep
insights into the mind of a primate species other
than humans.
Hrdy SB. Mother Nature: A
History of Mothers, Infants, and Natural Selection.
New York: Pantheon Books, 1999. A remarkable book on
female human nature and mothering, by a primate
researcher who is a mother herself.
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